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5 Years of On My Canvas: What I’ve Learned

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Thank you for coming along on this journey with me and supporting me always.  If I have learned one thing in these five years, it is that the joy of creating should be enough. When we work hard and persist, we arrive at the goal, destination, or prize we have our eyes on. The much-planned …

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You Judge Me. I Judge You. And Then What?

n_a_Roman_Osteria three people sitting at a table looking behind in an italian restaurant as if judging people small.

People Judge Others. We Are Always Judging Someone or the Other. But Do We Need To?

Six months ago, I had just come to Auroville. It is an experimental community on the east coast of India near Pondicherry. A collaborator Mirra Alfassa of the philosopher Sri Aurobindo, referred to by him as Mother, had a vision for a place on earth where men from all countries will live in harmony as equals. Set up by the followers of Mother, Auroville is supposed to be the manifestation of that vision. 

If the people of Auroville, Aurovillians, live in peace and treat each other equally is a report for another rainy day. For now think of the place, once an arid sandy land, as a lush green forest dotted with houses, cafeterias, and community spaces nestled in their large green gardens. People from fifty-nine countries call Auroville home.

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What Makes you Fly? – Klaus Nomi Singing My Heart Opens to Your Voice

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We are truly alone in the experience of being the human being we are.

 

“Can anyone truly understand the existence of another person’s internal world?” Correctly asks the author Olivia Laing in her book “the Lonely City: Adventures in the Art of Being Alone”.

Lately, I’ve been reading a lot about loneliness. Perhaps because I’ve been lonely, like everyone else, a lot of times. (managing and understanding emotions)

At some lone moment a couple of months ago I picked up Olivia Laing’s book. I thought the title would explore a writer’s journey through the lonely city life — something I’m interested in because not only do I find loneliness in metropolitans but also in the countryside where local cultures can be alienating, unintentionally or intentionally (read my Spiti mountain journey to see how I felt isolated even amongst a local family). But I found that the book is much more than the singular experience of Laing.

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On Stuart Hill in Madikeri Coorg: Nothing To Do But So Much To Do

Living, Writing, and Traveling Slow on Stuart Hill in Madikeri Coorg, Karnataka

February 2021

We have been here in Stuart Hill in Madikeri town for almost two weeks. The popular Coorg viewpoint Raja’s seat is near Stuart Hill. I’m seated in the garden of our homestay to write.

I don’t know the origin of the name Stuart Hill. The place must have a story from British times. I could go to the Madikeri museum to get a glimpse of this town’s history. But on this trip, I’m not hungry to know. 

Even though we were here on our first wedding anniversary, we didn’t make any big adventurous plans. In the morning we walked down the path going in front of our house. That trail is fringed by jungly plants and trees on both sides. Few houses peek out of that path here and there.

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Van Gogh on Delving Deeply, Hardships, and Doing [In a Letter to Theo]

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Letters From Van Gogh The celebrated painter Vincent van Gogh (1853-1890) regularly wrote to his brother Theo, his ardent supporter and friend.  Out of the hundreds of letters by Vincent van Gogh, the Vincent van Gogh organization has put about hundred on their website. The book Ever Yours: The Essential Letters contains a broad selection of …

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How to Sort Through the Mundane For Creative Living

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Creative Living Beyond the Constant Humdrum of the Daily Daily Distractions in Creative Living The Muse Why Do We Create and How to Persuade the Muse Perseverance First We Start By Being Unsatisfied Then We Fight the Distractions We Meditate We Focus on The Littlest of Details and Let Results Take Care of Themselves It …

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An Old Himalayan Woman’s Routine Showed Me How Hard Is Village Life in India – Lessons On Resilience and Repetition

a man standing on a mountain a scene in hard himalayan village life in india to show resilience

Village Life of India : An Old Himalayan Woman’s Life at a Glance. Notes From Gagal Village, Mashobra, Shimla

I woke up at 5. The host’s kitchen hut was filled with yellow light from the bulb. Smoke rose out of the hut’s chimney. Our homestay’s mother, whom we called aunty, was already up.

Aunty must’ve folded the mat on which she slept on the kitchen floor, had lit firewood in the chulha, and must’ve been preparing milky tea then (a common scene in village life of India). Though I never entered the kitchen —when I had asked  aunty if I could make chapatis on her chulha, she had said women couldn’t enter there — from outside I had seen her fluff chapatis on the woodfire and paste the floor with yet another fresh layer of mud and cow dung. Aunty was somewhere between 60 and 70.

(I don’t have any pictures of aunty neither would I want to post them online. So please bear with me while I add photos of everything else around her home.)

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Writer’s Notes From Agonda Beach, Goa

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A Writer’s Diary from Agonda Beach Goa (India)

 

It’s almost afternoon. We have taken a corner table in the restaurant of our Agonda beach (Goa) guesthouse. Sunlight is abundant but we aren’t under direct sunlight.

Indian ocean rush to the sandy shore. When the high waves crash against the beach, I get transported to the balcony of my parent’s home. I close my eyes. Standing in the verandah of my two-storey childhood home, I see our neighbor’s roof. Since I was little I have seen a mound of dry wooden logs and cow dung cakes kept under a blue plastic sheet on their cemented rooftop. In my lucid dream, I hear the sheet rattle in the wind. The covers writhe and clatter under the brittle branches and rusted metal junk but they can’t let loose. Soon my father calls me inside.

I open my eyes. The ocean is free.

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